INTERVIEW: Drama Muscle by Joe Cosentino


DRAMA MUSCLE (a Nicky and Noah mystery)

a comedy/mystery/romance novel by JOE COSENTINO from Lethe Press


It could be lights out for college theatre professor Nicky Abbondanza. With dead bodybuilders popping up on campus, Nicky, and his favorite colleague/life partner Noah Oliver, must use their drama skills to figure out who is taking down pumped up musclemen in the Physical Education building before it is curtain down for Nicky and Noah. Complicating matters is a visit from Noah’s parents from Wisconsin, and Nicky’s suspicion that Noah may be hiding more than a cut, smooth body. You will be applauding and shouting Bravo for Joe Cosentino’s fast-paced, side-splittingly funny, edge-of-your-seat entertaining second novel in this delightful series. Curtain up and weights up!

Q&A with Joe Cosentino

Hello, Joe. Welcome back to Because Two Men Are Better Than One. Thank you for visiting.

My pleasure. Thank you for all that you do to get out the good word about gay-themed novels.

You’re a college professor/department head in the Theatre Department. When do find the time to write?

I write in the evenings. Being a little tired helps loosen my creative energies and flow. Plus my spouse has gone to bed, so the house is quiet, leaving me with all the voices in my head.

Where do you write?

I have a cozy home study with a window seat, fireplace with a cherry wood mantel (like Martin Anderson in the Nicky and Noah mysteries), a huge cherry wood desk, and cherry wood bookshelves. It would be hard not to write in a study like that.

You’ve said in interviews that your novels are “theatrical.” What do you mean by that?

Since I started as an actor and playwright, I write a great deal of dialogue. My novels are also quite cinematic. Hear that film and television producers?

Any plans for the Nicky and Noah mysteries to become a television series?

Sure, I have lots of plans. I’m a legend in my own mind. Now I just need a TV network to have the plans too.

Who would you cast in the leading roles?

I’d cast Matt Bomer as Nicky, Neil Patrick Harris as Noah, me as Martin Anderson (the theatre department head), and Rosie O’Donnell and Bruce Willis as Noah’s parents.

You acted in film, television, and theatre opposite stars like Rosie O’Donnell (AT&T industrial), Nathan Lane (Roar of the Greasepaint onstage), Bruce Willis (A Midsummer Night’s Dream onstage), Charles Keating (NBC’s Another World), Jason Robards (Commercial Credit computer commercial), and Holland Taylor (ABC’s My Mother Was Never a Kid TV movie). What was it like acting with all those celebrities?

First, I’m so glad Holland Taylor came out. It’s never too late. As for the celebs, in every case I worked with them before they became famous, and they were all gracious, hard-working, kind, and very funny. I recommended Rosie O’Donnell go on Star Search, and she did!

Since you are a college theatre professor, is the Nicky and Noah series based on your college?

Treemeadow College exists only in my head. My colleagues kid me that if anybody at my college ticks me off, I kill him/her in the series? Hah. To be honest, I like my colleagues and students too much to murder them in my books. By the way, they love my books and want to be in them. However, only Martin Anderson, Nicky and Noah’s department head, is based on a real person—me. Martin is a loyal, hardworking department head and professor who fully supports his faculty colleagues, office assistant, and the students in his department. Like me, he is also a little bit, well quite a bit, of a gossip. He also has a terrific husband.

Why did you set the series in a college university?

As a college professor/department head, I have always been aware that colleges are rife with mystery, romance, and humor. In each book Nicky and Noah eavesdrop, seduce, role play, and finally trap the murderer, as pandemonium, hilarity, and true love ensue for a happily ever after ending—until the next book.

Why did you write a gay mystery/comedy/romance series?

The Nicky and Noah mysteries are the kind of books I like reading: funny, theatrical, sexy, wild, and wacky with a solid mystery full of plot twists and turns at its center—and a surprise ending!

You say they are “cozy mysteries.” What does that mean?

The Nicky and Noah mysteries are set in an Edwardian style university founded originally by a gay couple (Tree and Meadow) whose name the university bears. The setting is warm and cozy, the clues and murders (and laughs) come fast and furious, there are enough plot twists and turns and a surprise ending to keep the reader guessing, and at the center is a touching gay romance between Associate Professor of Directing Nicky Abbondanza and Assistant Professor of Acting Noah Oliver. Along the way, Nicky and Noah fall in love, as I’ve heard the readers fall in love with them. In the first novel (Drama Queen), it is winter, so white snow, cherry wood mantels surrounding blazing fireplaces, and hot chocolate are in abundance. In this current book (Drama Muscle), it is fall, so gorgeous leaves of amber, violet, and scarlet blanket the campus. The third book (Drama Cruise not yet published) takes us on a cruise to Alaska for sights of glaciers and whales while Nicky directs a murder mystery dinner theatre show onboard ship.

Was Drama Queen, the first Nicky and Noah mystery, well received?

Reviewers called Drama Queen hysterically funny farce, Murder She Wrote meets Hart to Hart meets The Hardy Boys, and a captivating whodunit with a surprise ending. One reviewer said it was the funniest book of the year! Who am I to argue? When the ebook reached the Amazon bestsellers list in its category and the paperback and audiobook (with all twenty-four roles played by Michael Gilboe) sold like tickets to Aladdin after the Tony Awards, it was time for another Nicky and Noah mystery.

What was the plot of Drama Queen?

In Drama Queen college theatre professors were dropping like stage curtains and amateur sleuths/college theatre professors Nicky and Noah had to use their theatre skills, including impersonating other people, to figure out whodunit.

What is the storyline of Drama Muscle, the current Nicky and Noah mystery?

In Drama Muscle Nicky and Noah don their gay Holmes and Watson personas again to find out who is murdering musclemen in the Bodybuilding Department. In the novel Nicky is directing bodybuilding students in Treemeadow College’s annual Bodybuilding competition on campus. Bodybuilding students and faculty drop faster than barbells until Nicky figures out the identity of the murderer, as well as Noah’s secret revolving around Van Granite, one of the bodybuilding professors. Noah’s hysterically funny parents visit from Wisconsin and are drawn into the action, and Nicky and Noah reach a milestone by the end of the novel.

Why did you set the second novel in the Bodybuilding Department?

I have always been fascinated with bodybuilders. The concept of eating protein every two hours, lifting weights for three hours a day, shaving every body part, spray tanning, and posing in tiny gold trunks is amazing to me. Not to mention the muscles! After watching a bodybuilding competition on television (I admit it!) I noticed the link between bodybuilding and theatre. So I decided the second Nicky and Noah mystery would take place in the Bodybuilding Department at Treemeadow College.

How do you think up all the clues, red herrings, and surprises in the novel?

I learned from the best! I’ve read every Agatha Christie novel and play many times. She is a genius at outlining when and where to give the reader what information. I love the inversion in her books, where she uses sleight of hand to lay out all the information, but not in a straight forward manner. The reader becomes the sleuth to put all the pieces of the puzzle together. I also learned from reading many writers like Armistead Maupin how to write quirky, zany, but lovable characters.

Nicky is described as having an enormous manhood. Does that help him solve the murders?

It doesn’t hurt. Well, maybe it does. Hah. Nicky has to flirt his way into some places to get certain information, so his handsome face, muscular body, and huge penis are definitely assets. Even more, however, Nicky and Noah use their theatre skills, including playing other people, to get clues. Most of all, Nicky uses his smarts, always a fine asset in an amateur detective. Nicky has such amazing wit, perseverance in the face of adversity, and smarts. I love his sense of determination in not only nabbing the murderer, but also getting his man—Noah. Nicky knows what he wants and how to get it. He is genuinely concerned for others, and he wants to help them. He also has no problem taking on the role of hero. Finally, he is a one-man man, and Nicky is proud to admit that man is Noah Oliver. However, my favorite character in book two is Noah’s mother who is devoted to her son—almost as much as she’s devoted to her camera!

Your Dreamspinner Press novellas (An Infatuation, A Shooting Star, A Home for the Holidays, and the upcoming (January 27) The Naked Prince and Other Tales from Fairyland) were so well received. What do you say to people who loved them and might be surprised that the Nicky and Noah mysteries are quite different?

I love eggs but I also love oatmeal. It’s the same thing. I’d ask them to give Drama Queen and Drama Muscle a try. Like I found eating liver and onions as a kid, they may acquire a different taste.

What did you learn about reviews after Drama Queen?

Drama Queen got mostly great reviews from review sites, bloggers, and readers. I learned to concentrate on those reviews and not read the few negative ones. Writers (like everyone else) need to be supported and encouraged, not torn down. We don’t do it for the money, we do it for the love of our books and our readers. We put our hearts out there to be embraced not stamped on. If you don’t like a book, stop reading it after chapter one and read something else. Why write a scathing review?

What advice do you have for unpublished writers?

Write every day. When you have a story you think is perfect, ask someone you trust to read it. Then after doing another draft, email it to a publisher with an open submissions policy who publishes the kind of story you’ve written. If that publisher rejects it, immediately send it to the next one.

Is it hard to write comedy?

I’ve always had a funny mind. I can hear almost anything and see the humor in it. I think I get this from my mother. For example, for Christmas one year my parents bought me a sweater and my sister a house. When I asked my mother if I was an orphan, she replied, “Orphans don’t have sweaters. Appreciate what you have. And by the way, it cost me $39.99.”

Why do you write gay fiction?

Obviously gay stories are part of my life. Also, there are still many untold stories about gay people. Go to the mall and look at the movie posters sans any gay characters on them. What does that say to the teenagers in those malls?

You have another mystery series. Tell us about your Jana Lane mystery series.

I created a heroine who was the biggest child star ever until she was attacked on the studio lot at eighteen years old. In Paper Doll (Whiskey Creek Press), Jana at thirty-eight lives with her family in a mansion in picturesque Hudson Valley, New York. Her flashbacks from the past become murder attempts in her future. Forced to summon up the lost courage she had as a child, Jana ventures back to Hollywood, which helps her uncover a web of secrets about everyone she loves. She also embarks on a romance with the devilishly handsome son of her old producer, Rocco Cavoto. In Porcelain Doll (The Wild Rose Press releasing March 15), Jana makes a comeback film and uncovers who is being murdered on the set and why. Her heart is set aflutter by her incredibly gorgeous co-star, Jason Apollo. In Satin Doll (not yet released from The Wild Rose Press), Jana and family head to Washington, DC, where Jana plays a US senator in a new film, and becomes embroiled in a murder and corruption at the senate chamber. She also embarks on a romance with Chris Bruno, the muscular detective. In China Doll (not yet released from The Wild Rose Press), Jana heads to New York City to star in a Broadway play, enchanted by her gorgeous co-star Peter Stevens, and faced with murder on stage and off. Since the novels take place in the 1980’s, Jana’s agent and best friend are gay, and Jana is somewhat of a gay activist, the AIDS epidemic is a large part of the novels.

What’s next for you as a writer?

Nine Star Press is publishing my two novels that take place at a gay summer resort on the Jersey Shore: Cozzi Cove: Bouncing Back and Cozzi Cove: Moving Forward.

How do you feel about straight women writing and reading gay romance novels?

Bravo for them!

Like Drama Queen is Drama Muscle available as an ebook, paperbook, and audiobook?

The ebook and paperback are out. This gives the reader an option to read it on a Kindle, Nook, computer, or with book in hand on the beach or in bed. The audiobook, again performed by the amazing Michael Gilboe, will be out shortly.

How can your readers get their hands on Drama Muscle, and how can they contact you?

The purchase links for Drama Muscle are below, as are my contact links, including my web site. I love to hear from readers! So give Nicky and Noah a read and contact me via my web site. Let’s all pump up!


As the ethereal sound of horns parted the heavenly clouds, the young gods and goddesses appeared in a ray of white light. Standing as strong as the stone columns behind them, the deities displayed stunning muscles, colossal beauty, and mammoth ambition housed in the smallest and most seductive of white garments. Lightning flashed as they formed a resilient line and each struck their first flawless pose. Zeus was dark-skinned and as powerful as thunder. Ganymede at his side had skin of white porcelain and a clever stare. Hercules and Adonis were the perfect blend of masculine vigor and physical splendor. Athena was a gorgeous, olive-skinned warrior, and Aphrodite a lovely, fair-skinned temptress. Achilles watched them all, vowing to be victorious in the end.

“Good work, everyone!”

That was me, Nicky Abbondanza, Professor of Directing at Treemeadow College, a white-stone Edwardian-style private college in the quaint and picturesque village of Treemeadow in the equally quaint and picturesque state of Vermont. As inscribed on the two bronze statues at the college’s entrance, the college’s name comes from its founders, Harold Tree and Jacob Meadow. Tree and Meadow were madly wealthy, madly generous, and madly in love. The old gents would no doubt be proud to know that Noah Oliver (Professor of Acting) and I have become a current generation couple at Treemeadow College. That’s not to say Noah and I look anything like our college’s founders. We aren’t made of bronze for one. We wear dress shirts, slacks, and blazers in the fall season rather than heavy dark suits. Also, the Treemeadows were small, thin, scholarly types. Noah and I are both tall. I am of the dark hair, long sideburns, Roman nose, pumped body (thanks to the gym on campus) variety. Oh, there’s one other small thing. Well, it’s not really small. To the delight or horror of my past boyfriends, I have a nine-and-a-quarter-inch penis—flaccid. Luckily, Noah is delighted and totally open (pardon the pun) to new adventures. Noah has luxurious curly-blond hair, batting blue eyes, and the warmest heart in New England. His body is firm and smooth, but not toned as he never goes near the gym—until now!

Each year the top students in the Bodybuilding Department compete in a contest to be named the Top Toned Tan Trojan at Treemeadow (Try saying that three times fast). Actually, the real name is Treemeadow’s Annual Bodybuilding Competition. The winner receives an enormous gold cup, and more importantly, the year’s college tuition free. Given the rising cost of tuition at Treemeadow, this is no lightweight matter (pardon the pun again).

Bodybuilding Department Head Professor Brick Strong asked my Theatre Department Head, Martin Anderson, if Noah and I could use our theatrical expertise to add a dramatic flair to this year’s bodybuilding competition. Since I was not directing a play that semester, Martin agreed to give Noah and me release time, thereby changing our mantra from “Let’s put on a show” to “I’m gonna pump you up.” That led to Noah and me hauling lighting, smoke, sound, and set equipment, along with a number of skimpy Greek period costumes, from the Theatre Department building to the Physical Education building. The plan was that I, as a directing professor, would direct the production, and Noah, as an acting professor, would work with the student-athletes on stage presence for their individual poses.

“Okay everyone, Professor Oliver will take it from here.” I stepped aside and leaned against the gym wall.

Noah flicked back his gorgeous blond locks and took my place in front of the students like a new king taking the throne after a revolution. Sounding delectably butch, he said, “Let’s take a little time to discuss each of your characters. The Greek period was a—”

“That’s the period we’ve selected for the competition in terms of characters, set, and costumes,” I said.

Noah smiled in my direction.

I think Noah and I are the perfect couple. “Rodney, we know that your character, Zeus, was the father of gods and men—” Rodney Towers was tall, dark, and massive with muscle. “—which is why your toga has a thunderbolt on it,” I said.

Noah stiffened.

“I’m always happy to help,” I said.

“So I see.”

“But Professor Oliver is totally in charge now. So everyone, please listen to Professor Oliver,” I said.

“Thank you.” Focusing back on Zeus, rather Rodney, Noah said, “The Greek gods in mythology were part god and part human—”

“Which is why I selected this motif for the competition. You all have human emotion, but your strength and powers are supernatural.”

“Right,” said Noah with a tight jaw.

I folded my arms across my chest. “Professor Oliver is really good at working on character development, so pay close attention to him.”

Noah took in a deep breath. “And the Greek gods were quite amorous—”

“With both sexes,” I said. “Zeus and Ganymede were just one pair of famous lovers who influenced the arts.”

“Excuse me, everyone.” Noah put a hand on my shoulder and ushered me to a corner of the gym. “Nicky, I appreciate your help, but—”

I put my arm around Noah. “You don’t need to thank me. I love you, and I am always here to help you.”

“Well can you please…stop?”

“Did I say something wrong?” I asked dumbfounded.

“I would like to be able to finish a sentence! Will you let me do that?”

“Of course.”

“Thank you.”

“I won’t say another word,” I said as we walked back to the students.

“Promise?” Noah whispered in my ear.

“Of course.” I looked at my watch. “You should move the rehearsal along, since there’s lots more to do.”

Buy Links

Lethe Press


About the Author

Amazon Bestselling author Joe Cosentino wrote Drama Queen and Drama Muscle  Nicky and Noah mysteries (Lethe Press), An Infatuation, A Shooting Star, A Home for the Holidays, The Naked Prince and Other Tales from Fairyland (Dreamspinner Press), Cozzi Cove: Bouncing Back (Nine Star Press), Paper Doll (Whiskey Creek Press) and Porcelain Doll (Wild Rose Press) Jana Lane mysteries, and The Nutcracker and the Mouse King (Eldridge Plays and Musicals). He has appeared in principal acting roles in film, television, and theatre, opposite stars such as Bruce Willis, Rosie O’Donnell, Nathan Lane, Holland Taylor, and Jason Robards. His one-act plays, Infatuation and Neighbor, were performed in New York City. He wrote The Perils of Pauline educational film (Prentice Hall Publishers). Joe is currently Head of the Department/Professor at a college in upstate New York, and is happily married. His upcoming novels are Drama Cruise Nicky and Noah mystery (Lethe Press), Satin Doll and China Doll Jana Lane mysteries (Wild Rose Press), and Cozzi Cove: Moving Forward (Nine Star Press).

Web site:






Praise for DRAMA QUEEN, the first Nicky and Noah mystery by Joe Cosentino from Lethe Press:

“Without doubt the funniest book I have read this year, maybe ever” “brilliant” Three Books Over the Rainbow

“I cannot stop laughing. Drama Queen is Hardy Boys-meets-Murder She Wrote-meets-Midsummer Murders, with a side of parodic, farcical, satire.” “Who-dunits don’t come more whodunnity than this.” Boy Meets Boy Reviews

“I’m hoping that this is just the start for Nicky and Noah. If Jessica Fletcher could have so many murderers in Cabot Cove, why shouldn’t the same hold true for Treemeadow College?” Scattered Thoughts and Rogue Words Reviews

“This fast-paced, hilariously funny, entertaining novel will have you on the edge of your seat as you try to figure out who-dun-it!” Joyfully Jay

“a murder mystery, a comedic romp, an investigative caper, and a love story all rolled up into one nifty little novel” The Novel Approach

“The tangled weave of murder mystery and other mysteries comes to a startling conclusion that is both satisfying and mind boggling.” MultitaskingMomma

“I am not used to reading books that make me snigger out loud, but in Drama Queen Joe Cosentino has struck a great balance between his use of tongue in cheek humour and a compelling mystery which we want to see solved.” Divine Magazine

“Nicky and Noah are two sexy leading characters who conduct the investigation in this comedic caper with wit and style.” Vance Bastian Reviews

“Cosentino does a wonderful job of writing a mystery that keeps the reader guessing right up until the end.” Barron Owens Reviews

“I love this story, just the right mix, of fun, hilarity and mystery in the mix. The storyline is fresh and well thought out, and the dynamic of the characters is through the roof! Bike Book Reviews

“The author clearly knows of what he speaks on all matters theater, and the kind of authentic details he brings to the table in terms of characters and staging makes this immensely entertaining.” Love’s Last Refuge Reviews

“Joe Cosentino has brilliantly done it again! His latest novel, Drama Queen, is the most fascinating mystery of all time. I loved the laugh out loud moments and the crazy fast-paced plot. Readers will instantly be drawn into Joe Cosentino’s stunning mystery. I recommend this novel to readers worldwide and look forward to reading the next adventure by this talented writer.” Danielle Urban, Universal Creativity, Inc.


Congratulations to Joe Cosentino for winning Best Contemporary Novel, Best Mystery Novel, Best Crime Novel, and Best Humorous Novel of 2015 for DRAMA QUEEN, the first Nicky and Noah mystery published by Lethe Press, in the Divine Magazine Readers’ Poll Awards!


A message from Joe Cosentino

Joe has a message for those readers who bought Drama Queen from Amazon when it was first released…

Due to a technical error, for a short period of time some people who purchased from Amazon the Kindle version of DRAMA QUEEN, the first Nicky and Noah mystery by Joe Cosentino published by Lethe Press, did not receive the entire ebook.

If this happened to you, our sincere apologies. The problem has been corrected. Please update your Kindle file and you will have the entire book. If you have a problem, please contact me at:

If you purchased it on Amazon and returned it for refund, please purchase it again and enjoy the full book!

The paperback and audiobook were not affected by this technical error.

Thank you! Joe Cosentino

Drama Queen



Guest Review: The Butcher’s Sons by Scott Alexander Hess

Butcher's Sons _ HiRes

Guest Review

This was a fascinating read. Set in New York, back in the early thirties, the story tells of three brothers, close in age but not in nature. Dickie, Walt and Adlai have been raised by a father who may have been there for them physically, providing employment and a home above the butcher shop, but he definitely wasn’t there emotionally.

The viewpoint shifts between the three brothers.

The lack of a mother’s love for the majority of their lives has affected them in different ways. One reviewer likened the story to King Lear. While the number of siblings was the same, I didn’t see the same connection. Lear was the central character in that drama while Pat, the father in this one, wanders around on the periphery, his absence being more important than his presence.

All the brothers had their birthdays around the same time, in the middle of summer. So the days which marked their passage into another year of maturity came amidst stifling temperatures that not only sapped their energy but added to their impatience and frustration. There were some passages of truly lyrical prose that brought this home:

There was a sudden, violent, onslaught of brutal and deadening heat. It was after midnight, and the city was a furnace of unrest, escalating anger, petty arguments broiling into bloody fist fights, small squatty fires igniting in dry bristling edges of dark spots near the river. Children were awake, somewhat dazzled by the strangeness of it all. Hydrants, untapped, sprayed ferociously, and mutts dashed through over and over. The heat wave, they said, would only get worse.

The garage door in the back of the butcher shop was open, but no breeze blew. Things were still as if an ancient drought had come to stay.

Then later:

A surge. A wailing from the insects in the country, deep country, black night, loose, slow airless country. The brute heat forgotten due to the scream of unseen and miniscule things, they overwhelming everything with their unifying power, their music.

The window was open, and there was no screen. Anything could crawl in. The black at the window was pure and silky, but the long, constant song of the bugs made it clear things were out there in the night.

But every now and then this heat would break.

There was a snap of light and a bold crash of thunder, then a hungry wind blew in the open window at the two of them as the storm revived and grew in severity. There was crude shouting from the street, and dark animal screaming, hounds and indefinable creatures, voices drenched in the new, mad rush of storm and a sudden clatter of pounding hail.

Like this heat, the tension boils along in the story as the brothers become embroiled in gang warfare. This was around the time of prohibition, when areas of a city were under the control of thugs who dressed in fancy suits and carried big guns.

Dickie, the eldest, sees joining one of these gangs as a way up in the world and he is prepared to do whatever it takes to get there, dragging along his brothers whether they want to be involved or not.

Walt, the middle brother is physically larger than the other two, who are little over five foot. He dreams of becoming a doctor to escape life in his father’s butcher shop where they all work. But this background and Dickie’s actions, bring about a different set of problems when it comes to the girl he loves and wants to marry.

Then there is Adlai, affectionally known as Rat because of his small stature. When the book begins, he is not yet sixteen. He is different again, but his difference stems from his desires.

The book beautifully captures the differences from today’s society. Despite the fact most of the protagonists are still in their teens, they are seen as men. They live in the world of gangs, gyms, professional boxing, cock fights and prejudices that are thankfully not as prevalent today.

This was an era where being a prostitute or having loose morals was worse than being a murderer.

When having sex with a negress was what you did when the white virgins wouldn’t put out, but marrying one was illegal.

It was even worse if you were discovered to be a homosexual.

New York in the thirties was also in the midst of an economic depression. It was a melting pot of immigrants, each intolerant of the other. The boys great grandfather would today be considered one of the “boat people” as he boarded a “coffin ship to freedom to escape famine”

Being Irish carried its own set of racial characteristics. The love of whiskey, the seemingly boundless ability to feel guilty for real and imagined sin. Wallowing in introspection and self pity. The sins of the fathers being passed on to their sons.

Years passed, and I became more and more a drunkard. My own stink, the reek of cowardice, that fear mixed with my shame grew month after month, year after year, working the whore house, stuffing away money, drinking late into the night, losing my soul.

But despite this grief and shame, blood is integral to the story. Both literal and metaphorical. In the end it is death that finally brings the sons and their father together in a more literal sense.

Along the way they hurt each other, help each other, but throughout, they remain loyal even if a part of them wonders why. They share a bedroom and each has a dream or more accurately a recurring nightmare that terrifies them but bonds them at the same time.

There are other themes running throughout. Size is one. The gentle giants and the aggressive runts. Where the line between bravery and stupidity is easily crossed. Where  earning respect can come from being tough and able to withstand pain.

If you’re looking for a nice fluffy romance, this is not it. But if you want a book that whisks you away to another era, where each of the brothers finds a very different kind of love, give this a try. 4 stars.

Review from A.B. She is someone who likes reading stories reflecting reality. She has lived long enough to see many changes first hand and knows these stories need to be written.

About the Book

Bound by blood but separated by secrets, brothers—Dickie, Walt and Adlai—run a butcher shop for their alcoholic father, whose broken spirit has isolated him from the world. When Dickie makes a rash decision, involving an organized crime family, a chain of events ensues that changes the brothers’ lives and forces them to come together— at first, with a sense of camaraderie, but ultimately, with something much fiercer, more brutal. The Butcher’s Sons is a gritty, intimate portrait of three young Irish-American brothers whose lives irrevocably change during a heat wave in New York City’s Hell’s Kitchen, circa 1930.

Buy Links

Lethe Press


Scott Alexander Hess

About the Author

Scott 2 smooth-4Scott Alexander Hess earned his MFA in creative writing from The New School. He blogs for The Huffington Post, and his writing has appeared in Genre Magazine, The Fix, and elsewhere. Hess co-wrote “Tom in America,” an award-winning short film starring Sally Kirkland and Burt Young. The Butcher’s Sons is his third novel. Originally from St. Louis, Missouri, Hess now lives in Manhattan, New York

Learn more at and follow Scott Alexander Hess on Twitter @ScottAlexHess.


Scott Alexander Hess

Today we are joined by Scott Alexander Hess, author of The Butcher’s Sons, out now from Lethe Press.

Guest Post – The Intricacy of Masculinity


That singular word drew me initially into the writing of my latest novel, The Butcher’s Sons, set in a gritty butcher shop in Hell’s Kitchen New York City circa 1930. As I explored the word and concept, my research guided me back to early images of men including my father (who built our St. Louis family home as well as launching a restaurant equipment company) and to my two older brothers (the inspiration for the novel’s rough and tumble siblings Walt and Dickie).

While I had considered myself strong and at times courageous through my life, I did not consider myself masculine, at least not in the traditional sense. That changed through the writing of The Butcher’s Sons, as did my perceptions of the word masculinity itself.

Seeing the world through the eyes of the character Dickie, I discovered in myself a base connection to a gutsy, violence-infused quest for power, domination and respect. This trait, though associated with masculinity, is in essence war like, brutal and in some ways sexless. In writing the gentler middle brother Walt and even more so the youngest, fragile and secretly gay brother Adlai, I uncovered a wide range of characteristics that were shaded with variations of what may be considered masculine.

In essence, the writing of these three very different brothers cracked open a broader appreciation for, and definition of, what it is to be masculine and to consider the concept’s more subtle edges.

Dickie’s form of masculinity is all violent bravado as in the scene below from Part One, Chapter 12:

“We’re The Butcher’s” Dickie said.

The fat kid swiped at his brow, scrunched his forehead.

“Oh yeah, so the fuck what? Get out of here you dirty Mick. We got business.”

Dickie flinched. The chimes swayed and as the kid turned to notice the sound, summoned by some stray memory of some stray summer, caught off guard by that delicate phrase of sweetness, as he turned Dickie lifted the heavy jar of pickles and slammed it into the kid’s head.

Bug was touching the chimes, making them dance, and he kept that up as the kid squealed and fell to his knees, blood spurting out of the side of his head, one shard of glass from the expertly shattered jar holding firm just above his ear, gushing. Dickie bent to the floor, plucking the shard from the kid’s head.

“I’m Dickie, leader of The Butcher’s, Now we’ve met,” he said.

I discovered a more layered level of masculinity and strength in the character of young Adlai, who against the odds, discovers love through the novel, and more importantly comes to embrace himself as a man. The scene below from Part Three, Chapter 12, is part of his awakening:

Adlai stood naked for a moment, then gently, lowered himself down to a lying position in the creek, so the water was forced to rush around him, as if he were a torn branch fallen from storm. The cooling water swarmed around his head, swirling out and into and through him. He was mostly submerged, though not fully, He felt the water like gentle hands, like a rushing dream come back. With one hand he tried to cup water to bring it to his parched lips, but it kept spilling out, so he flipped over and let water gush into his mouth, rushing forcefully, as if molesting and bruising his lips, chocking him. So thirsty, he gulped, then flipped over again, letting the coolness take him.

He wondered if Ed could fit next to him, the bulk of that man in the narrow creek. Looking up, he again spied the moon, and for the first time that night, that week really, the insect’s music, which was awash with the gentle cry of the creek, comforted him. It was as if they were singing for him, as if it were a love song, a lullaby.

Ultimately, the novel also shed light on parallels in my father’s more traditionally masculine creative life and my own. His building of our home, the late night sawing and nailing during the summer of 1954 under a hot Missouri moon; and my own evening discipline, at my writing desk near a wide open New York City window, constructing long, winding sentences and discovering characters that were to become The Butcher’s Sons.

We both, I realized are explorers, men of strength and conviction.

Butcher's Sons _ HiRes

About the Book

Bound by blood but separated by secrets, brothers—Dickie, Walt and Adlai—run a butcher shop for their alcoholic father, whose broken spirit has isolated him from the world. When Dickie makes a rash decision, involving an organized crime family, a chain of events ensues that changes the brothers’ lives and forces them to come together— at first, with a sense of camaraderie, but ultimately, with something much fiercer, more brutal. The Butcher’s Sons is a gritty, intimate portrait of three young Irish-American brothers whose lives irrevocably change during a heat wave in New York City’s Hell’s Kitchen, circa 1930.

Buy Links

Lethe Press


Scott Alexander Hess

About the Author

Scott 2 smooth-4Scott Alexander Hess earned his MFA in creative writing from The New School. He blogs for The Huffington Post, and his writing has appeared in Genre Magazine, The Fix, and elsewhere. Hess co-wrote “Tom in America,” an award-winning short film starring Sally Kirkland and Burt Young. The Butcher’s Sons is his third novel. Originally from St. Louis, Missouri, Hess now lives in Manhattan, New York

Learn more at and follow Scott Alexander Hess on Twitter @ScottAlexHess.


GUEST POST with GIVEAWAY: Drama Queen by Joe Cosentino

Drama Queen

Drama Queen

by Joe Cosentino

A Nicky and Noah Mystery


It could be curtains for college theatre professor Nicky Abbondanza. With dead bodies popping up all over campus, Nicky must use his drama skills to figure out who is playing the role of murderer before it is lights out for Nicky and his colleagues. Complicating matters is Nicky’s huge crush on Noah Oliver, a gorgeous assistant professor in his department, who may or may not be involved with a cocky graduate assistant…and is also the top suspect for the murders! You will be applauding and shouting Bravo for Joe Cosentino’s fast-paced, side-splittingly funny, edge-of-your-seat, delightfully entertaining novel. Curtain up!

Guest Post


by Joe Cosentino

I’ve been a college theatre professor for over twenty years and a department head for ten years. Though I love my job, it requires an enormous amount of creativity, energy, and diplomacy. I have also met the most amazing students, faculty colleagues, staff, and administrators. It occurred to me one day that a college campus with its numerous buildings, around the clock access, and diverse personalities is the perfect place for a mystery series.

Mystery novels have always been my favorites, in particular those in a series that includes humor and romance. However, I was unable to find many gay mystery series along that line. So I decided to create my own. Since the mysteries I like are of the cozy variety, I set my series in the quaint, fictitious, New England college town of Treemeadow, named after its original founders, gay couple Tree and Meadow. Edwardian buildings, stone fireplaces, and hot chocolate are in abundance. At the center of the series is Nicky Abbondanza, Professor of Directing, and Noah Oliver, Professor of Acting. It’s up to Nicky and Noah to use their theatrical skills like role play to figure out whodunit and why. Complicating matters is the fact that in book one Noah is the top suspect. As Nicky and Noah embark on one hysterically funny escapade after the next, they fall in love with each other, and hopefully the readers fall in love with them.

In Drama Queen, Nicky and Noah have to uncover why college theatre professors are dropping like stage curtains while Nicky directs the college play production—a murder mystery. In Drama Muscle, Nicky and Noah have to find out why musclemen are dropping like weights in the Physical Education department while Nicky directs the Student Bodybuilding Competition. In Drama Cruise, Nicky and Noah go on a cruise to Alaska, and discover why college theatre professors are going overboard like lifeboats while Nicky directs a murder mystery dinner theatre show onboard ship.

I enjoy mysteries with strong clues, enticing red herrings, plot twists and turns, reversals, and a shocking yet earned and satisfying ending. The characters I enjoy are larger than life, witty, and loveable with healthy sex lives. Plots need to move quickly, and the unexpected is always welcome. So my mystery series incorporates all of those things.

I hope everyone will welcome Nicky and Noah into their libraries and into their hearts. There’s nothing better than a good laugh, a tantalizing romance, and a clever mystery.


With the student actors and technicians sitting in the front of the theatre (obliviously texting on their phones), my student stage manager, SuCho, screamed for everyone’s attention, and for me to come to the front of the theatre house to give them my notes. This thankfully sent David off to his office in a huff.

After I had given my first few notes, I noticed Noah Oliver standing in the back of the theatre. Noah is tall and lean with curly blond hair, blue eyes, and the sweetest smile I have ever wanted to kiss in an Assistant Professor. While I teach Theatre History and Play Directing, Noah is our department’s specialist in Acting, and for good reason. Noah is a terrific actor, a creative and passionate teacher, and a wonderful colleague. More importantly, I have had a crush on him since the moment he made his entrance into our humble campus three years ago. Noah is single, gay, and seems to really like me. Why don’t I ask him out? Noah is twenty-eight years young. As a junior professor in my department in need of my vote for tenure this year, if I make a pass at him it could be considered attempted coercion on my part.

It was difficult for me to concentrate on giving my notes to the students since Scotty Bruno, my graduate assistant and Assistant Director of the play, was talking, laughing, and obviously flirting with Noah in the rear of the theatre. I had reason to be concerned. Scotty has bleached blond hair, contact lens turquoise eyes, ultra-white bonded teeth, and muscles as if sculpted by Michelangelo, housed in multi-colored, stuffed shorts and tank top (in winter) that were not unnoticed by Noah. Unless I was becoming nearsighted, I could have sworn that Scotty whispered something into Noah’s ear then handed Noah a box. What the heck is in it? Love letters? Condoms? My heart on a silver platter?

Buy Links

Lethe press: Paperback

Amazon: Paperback

Smashwords (ebook)  

Amazon (Kindle eBook)



Post a comment below about why you love mysteries. One lucky reader who leaves a comment, will be randomly chosen to receive a free copy of Joe’s February hit release ebook novella, AN INFATUATION.

Entries close 22nd June.

About the Author

Joe Cosentino is the author of An Infatuation (Dreamspinner Press), Paper Doll the first Jana Lane mystery (Whiskey Creek Press), and The Nutcracker and the Mouse King (Eldridge Plays and Musicals). He has appeared in principal acting roles in film, television, and theatre, opposite stars such as Bruce Willis, Rosie O’Donnell, Nathan Lane, Holland Taylor, and Jason Robards. His one-act plays, Infatuation and Neighbor, were performed in New York City. He wrote The Perils of Pauline educational film (Prentice Hall Publishers). Joe is currently Head of the Department/Professor at a college in upstate New York, and is happily married. His upcoming novels areDrama Muscle the second Nicky and Noah mystery (Lethe Press), A Shooting Star (Dreamspinner Press novella),A Home for the Holidays (Dreamspinner Press holiday novella), and Porcelain Doll the second Jana Lane mystery.

Where to find Joe

Web site: